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1. STAR TREK DISCOVERY SEASON 3 EPISODE 5 CAST HOW TO
2. STAR TREK DISCOVERY SEASON 3 EPISODE 5 CAST SERIES

STAR TREK DISCOVERY SEASON 3 EPISODE 5 CAST HOW TO

You'd be forgiven for thinking the showrunner on "Star Trek: Discovery" doesn't know how to effectively pace out an 11-episode season without the audience requiring Dramamine. Last season, in " The Sanctuary" (S03, E08) the storytelling suffered a similar, sudden, substantial yank in a decidedly different direction. The insane thing is, we've seen this happen before. The change in pace - and more than that, the change of direction - of the story is enough to give you whiplash. It's like suddenly realizing - just a micro-second after ignition – that your Ikea armchair is actually a Martin-Baker Mk14 Naval Aviator's ejection seat. It's like doing 90-degree turns in the car from "Automan" at 90 mph. and I still don't know exactly what happened. I've watched it four times already in preparation for writing this review. It's hard to know where to start with episode five. Or maybe Wiseman would just prefer to keep this matter private. There was even a card you could sign circulating on Twitter. We know she's heading to New York soon to appear in a theatrical production off Broadway, whether or not that will interfere with principal photography for season five is unknown. There was even an entire episode of " The Ready Room" hosted by Wil Wheaton devoted to Mary Wiseman that aired the very same day and still she didn't explain why she left. Is this all a super-elaborate ruse and in the finale episode we'll see Tilly trigger the second Big Bang, with jump cables from Book's ship, in the epicenter of the dark matter anomaly, fulfilling her ultimate destiny and becoming God.? Come on, it's not that much more far-fetched than an albino Klingon undergoing full-body surgery to make himself human. That said, she has made it very clear that we will see her again before the end of this season. Performances of the cast are strong, aside from some ropey exchanges from the actors playing the Trill leaders who meet with Burnham and Adira.Mary Wiseman herself has given a few interviews since last week, but not once has she remarked on why the decision was made to write her out of the main cast for the second half of fourth season. Technically it is very good with some beautiful imagery. All that being said, as a stand-alone story this is quite memorable and feels like one that forges its own path using themes relevant in contemporary society as opposed to just reusing old Trek formulas week in week out for the sake of appeasing Trekkies and those obsessed with past shows. Unfortunately, I found myself empathising more with Georgiou's eye-rolling pain of having to suffer through it all, which surely is not the intended outcome. This hurts episodes where you are suddenly expected to invest in the emotions of a character like Detmer and the other members of the bridge crew. There has been so much focus on certain characters it has resulted in overexposure to some, such as Burnham, and made too little time for the others.

I think one of the problems with Discovery, particularly as it's far more emotional and character driven than previous Trek shows, is the writers have never effectively balanced character focus since the show started. The scenes with the crew members dealing with their emotional stress is very well performed, but I once again struggled to empathise as so little effort has been made by the writers in previous episodes to get to know the characters. The writers must have doubted using Burnham in this way because they included the terribly contrived scene where Culiber explains her coming role in the plot. Also the use of Michael Burnham distracts from Adira's journey.

STAR TREK DISCOVERY SEASON 3 EPISODE 5 CAST SERIES

Personally, I did not connect with it, primarily because Adira is so new to the series that I have not spent enough time to develop the level of empathy required. For me what does not work is the emotional tone of the episode. Additionally crew members dealing with their emotional stress is another good idea, as the situation warrants acknowledgment of the loss the crew would be going through and how their captain and doctor would attempt to deal with it. It is a clever way to portraying multiple identities trapped within a physical form and continues themes of diversity and inclusivity within Star Trek stories. For me, using the Trill/Symbiont world to explore the identity of non binary characters is a great idea. The plot is fairly good, character driven, and reflective, with strong themes on mental health issues, leadership and gender identity. This is an interesting and memorable episode and one of Star Trek's most progressive character arcs. The Discovery crew go to Trill for Adira to connect with the symbiont's previous hosts.